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枫下沙龙 / 休闲娱乐 / the movie "The Dreamers" by Bertolucci, for our Chinese movie goers, this movie could remind us something back in our own country, yeah, culture revolution, but in Paris.
-table(桌子来了);
2004-3-15
(#1645644@0)
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from his famous movie 1973's Last Tango in Paris, 30 years have been passed in the earth, the theme of his movie still remaind the same: the solitary human being inner world.
-table(桌子来了);
2004-3-15
(#1645674@0)
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Last Tango in Paris就是借最亲密的”性“,来反衬最疏离的人际关系。本片有个场景特别有象征含义,哪怕是已经做爱做的事了,但还是不许他进入她的房间。肉体被”进入“,房间是精神层面的私人领地,无法”进入“。
-table(桌子来了);
2004-3-15
(#1646017@0)
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电影内边有招贴画背景,上书中文:”伟大的领袖,伟大的导师,伟大的统帅,伟大的舵手! “还有英文道白:”革命不是请客吃饭,不是做
文章,不是绘画绣花,不能那样雅致,那样从容不迫,文质彬彬,那样温良恭俭让。“
-table(桌子来了);
2004-3-15
(#1646049@0)
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#1635818
-russellg(Russell);
2004-3-15
(#1646083@0)
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有比吃饱了更让你撑慌的。@_@
-table(桌子来了);
2004-3-15
(#1646141@0)
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#1641888, #1641917, #1644639, #1645360, #1645823.
-russellg(Russell);
2004-3-15
(#1646150@0)
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this one is really a high hand, mamma mia, @_@
-table(桌子来了);
2004-3-15
(#1646156@0)
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成功的剧本和成功的角色刻划与众不同的地方,正是在于他们探讨人性深度和人类面对的冲突层次的深度不同。 美国电影理论家Robert McKee在“Story”一书中有精彩论述。他将人类面临的冲突分为三个层次:
-table(桌子来了);
2004-3-16
{1280}
(#1647048@0)
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与天斗、与地斗、与人斗,都不如与“自我”的斗争更深刻,更具启示意义。西方有这么一句话:“We are our own worst enemies。”如何战胜“自我”是人类面对的终极矛盾。
-table(桌子来了);
2004-3-16
(#1647059@0)
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史上最狠的“女人电影”大排行(ZT)
-table(桌子来了);
2004-3-18
(#1650097@0)